[Nero's] secret acts of licentiousness were many, both at home and throughout the City, by night and by day. He used to frequent the taverns and wandered about everywhere like a private person. Any number of beatings and insults took place in this connection and the evil spread to the theatres, so that those who worked as dancers and who had charge of the horses paid no attention either to praetors or to consuls. They were disorderly themselves and led others to be the same, while Nero not only did not restrain them even by words, but stirred them up all the more. He delighted in their actions and used to be secretly conveyed in a litter into the theatres, where unseen by the rest he watched the proceedings. Indeed, he forbade the soldiers who had usually been in attendance at all public gatherings to appear there any longer. The reason he assigned was that they ought not to superintend anything but strictly military affairs, but his true purpose was to afford those who wished to raise a disturbance the amplest scope. He made use of the same excuse in reference to his not allowing any soldier to attend his mother, saying that no one except the emperor ought to be guarded by them. In this way he displayed his enmity toward the masses, and as for his mother he was already openly at variance with her. Everything that they said to each other, or that the imperial pair did each day, was reported outside the palace, yet it did not all reach the public and hence conjectures were made to supply missing details and different versions arose. What was conceivable as happening, in view of the baseness and lewdness of the pair, was noised abroad as having already taken place, and reports possessing some credibility were believed as true. The populace, seeing Agrippina now for the first time without Pretorians, took care not to fall in with her even by accident; and if any one did chance to meet her he would hastily get out of the way without saying a word.